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Sunday, January 5, 2020

Can Recycled Rags Fix Fashion’s Waste Problem?

At FabScrap’s warehouse in Sunset Park, Brooklyn, textiles from fashion studios are sorted by material and color. The organization’s goal is to cut down on design waste by recycling and reselling the swatches designers use to pick materials.

Tucked away in the bowels of the Brooklyn Army Terminal is a 4,000-square-foot warehouse filled from wall to wall and floor to ceiling with garbage bags. They contain castoffs from New York’s fashion studios: mock-up pockets ripped from sample jeans, swatches in next season’s paisley print.
There is denim here in every wash, spandex in every hue. Dig through one bag and it is possible to find a little rug of carmine-colored fur and yards of gray pinstripe wool suiting. In another, embroidered patches from GapKids and spools of ribbon in velvet and lace.
Nearly 6,000 pounds of textile scraps arrive each week to be inspected, sorted and recycled by five staffers and many more volunteers at FabScrap, the nonprofit behind this operation. Since 2016, it has helped New York’s fashion studios recycle their design-room discards — the mutilated garments, dead-stock rolls and swatches that designers use to pick materials and assess prototypes.
So far, the organization has collected close to half a million pounds of fabric from the design studios of large retailers like Express, J. Crew and Marc Jacobs and independent clothiers in New York, New Jersey and Connecticut. Their discards have been shredded and recycled into stuffing and insulation or resold to fashion students, educators and artists.
“So much waste gets created in the design process,” said Jessica Schreiber, the executive director of FabScrap. “But it’s the tip of the iceberg.”

As climate change has accelerated, corporations of all kinds have become increasingly preoccupied with their sustainability cred. Four-fifths of consumers feel strongly that companies should implement programs to improve the environment, according to a recent Nielsen study.

FabScrap’s sorting process is run by five employees and a handful of volunteers, many of whom are design students.
Credit...John Taggart for The New York Times

Clothing companies in particular have faced pressure to change, from politicians, protesters at fashion shows and shoppers of all ages who want to reduce their carbon footprints. The fashion industry is often erroneously cited as the second-most polluting business in the world, but overproduction, chemical use, carbon emissions and waste are certainly issues it contends with.

Ms. Schreiber understood early the angst that waste was causing designers. In 2014, she was overseeing the Department of Sanitation’s refashionNYC program, which collects old clothing and textiles at farmers’ markets and in participating apartment buildings.
She received a string of similar calls from brands including J. Crew, Eileen Fisher, Express, Mara Hoffman and Marc Jacobs. The companies were sitting on piles of seasonal prints and swatches that couldn’t be donated but shouldn’t be thrown out.
“It really hit a nerve with people,” Ms. Schreiber said. Half of the designers had resorted to hoarding scraps under their desks as they tried — and failed — to find places to give them away. “There was a lot of guilt,” she said, and no clear path.
For a designer, cutting down on waste isn’t as simple as recycling a few bags of fabric every week. It requires overhauling the brand’s business model: forgoing seasonal collections; eschewing — or being rejected by — traditional retailers that accept only large orders and standard packaging; selling directly to consumers; and getting design teams to think about the sustainability and supply chain of each material and garment.

Dana Davis, the vice president of sustainability at Mara Hoffman and an early FabScrap adopter, remembered feeling anxious about how the company could better deal with waste. “It just felt burdensome,” she said. But after a conversation with Ms. Hoffman, the designer, it became clear to them that change was necessary.
The company began shipping swimwear in compostable bags and made long-term commitments to the materials it purchased. To cut excess inventory, the brand moved away from the fashion cycle and the industry norm of placing orders on projection.
There are still challenges — like making sure consumers and retailers actually compost the bags — but other brands are getting on board with changes at the design, manufacturing and distributional levels.
It’s hard to pinpoint how much waste is created before a garment even reaches the consumer. Factory waste is not tracked by outside agencies. Supply chains are now so complex and reliant on remote contractors and subcontractors that the companies can’t account for all the materials. 

Even if a brand wanted to find out how much fabric waste it created, “it would be very difficult for them to research that, because different factories might have different processes,” said Timo Rissanen, an associate professor of sustainability at Parsons School of Design.
Wendy Waugh, the senior vice president of sustainability at Theory and a FabScrap client, knew that determining the brand’s total waste would be a challenge. The company works with many different fibers, which are sourced from all over the world. The company’s “Good Wool,” for instances, comes from a farm in Tasmania, and is scoured, spun and dyed at a mill in Italy before it is warehoused and sold around the world.
After a fiber is harvested and spun, it is sent to a factory where it is cut, dyed and trimmed. Reverse Resources, a software company that works with major apparel factories in Bangladesh and Sri Lanka, found that 20 percent of the fabric used in the cut-make-trim phase is ultimately thrown out.

Bags upon bags of textiles fill the room.
Credit...John Taggart for The New York Times
Many retailers offer denim recycling programs, but not for scraps.

Credit...John Taggart for The New York Times
Unsellable material gets turned into shoddy or shredded fibers used for stuffing and insulation.
Credit...John Taggart for The New York Times
Linda Greer, the founder of the Clean by Design program and a former toxicologist at the N.R.D.C., has advised many garment and dyeing factories in China. She said that brands frequently reject fabrics because they don’t match the desired shade exactly.
“I’ve seen so many ‘weeping piles’ of miscolored fabric,” Ms. Greer said. “Sometimes they can touch it up. And sometimes they throw it away.”
Once a garment is complete, it can present another problem: excess inventory. In some cases those garments are incinerated, which prevents them from being resold at a discount, Mr. Rinassen said. 

Stephanie Benedetto founded Queen of Raw, an online marketplace for dead-stock fabrics and a FabScrap partner, after seeing how much manufactured material was sitting in warehouses ($120 billion worth, by her estimate). At that volume, she said, waste isn’t just environmentally irresponsible — it’s “a C.F.O. issue.”
Apparently, also, a marketing issue. Fashion companies have been quick to invest in environmentally friendly marketing. There have been capsule collections derived from natural fibers like orange pulp (Salvatore Ferragamo), pineapple leaves (H&M), grape skin (& Other Stories) and mushrooms (Stella McCartney), and a wide selection of recycled polyester made from fishing nets (Burberry) and beach-strewn plastic bottles (Adidas).
These usually amount to little more than P.R. gambits and short-term fixes.
Samantha MacBride, an assistant professor at Baruch College and a waste management professional, said that the ideas big brands implement often reflect a lack of understanding about waste management. 

The way to minimize trash, she said, isn’t by devising a green marketing strategy or using new technological fixes. “The key is to produce less,” she said.

The organization also accepts rolls of extra fabric from designers.
Credit...John Taggart for The New York Times

Standing on the FabScrap floor, it is impossible not to feel overwhelmed by the enormous pile of trash.
Ms. Schreiber noted that the bags in the facility were “almost irrelevant in the scheme of what is probably generated.” None of the overstocked garments languishing in company warehouses are here. Nor are the huge quantities of fabric that are tossed from the factory floor.

Beneath the heap, seven volunteers slowly and manually sorted by material every scrap that came in. They inspected and removed labels and rubbed the fabric between their fingers. It could not have been further from the mechanized processes at a recycling plant, which employ feats of engineering — eddy currents, magnets and near-infrared scanners — to identify and categorize various types of metals, plastic and paper.
There is no technology in use that can detect the differences between, say, spandex and wool. “The infrastructure is lacking,” Ms. Schreiber said. “Like the fact that the sorting still all happens by hand is bonkers.”
The recycling processes are similarly decades behind. Today, there are a number of companies, like Evrnu and WornAgain, that are just beginning to recycle fibers, a process that involves shredding and dissolving the fibers into a pulp that can be respun into a new fabric.
Ms. Schreiber said that if clothing scraps were treated “as a waste-commodity stream, not a nonprofit-managed material, we would be further along in the tech.”

In the back corner of the warehouse is one of FabScrap’s two shops, where it sells many of the larger pieces its employees and volunteers find among the scraps. On any given day, some fashion students stop by, shopping and drawing inspiration from the ends of dead-stock rolls that are cheaper here than at fabric stores in the city.

Ray Cruz delivering fabric scraps to the FabScrap warehouse in Brooklyn.
Credit...John Taggart for The New York Times

Jasmine Velazquez, a fashion student at F.I.T., studied some green leather that she wanted to use for an upcoming assignment. “I’d rather buy leather from here than support the industry like that. Sustainability should be more important to me because I am a student,” she said.
In June, FabScrap opened a second shop, on a block in the garment district teeming with secondhand shops, and just a stone’s throw from F.I.T.

Camille Tagle, the director of reuse and partnership at FabScrap and a former evening wear designer at Pamella Roland, pointed out some of the special fabrics that filled the shelves. There were rolls of baby blue suede and white cotton with geometric fil coupé accents. Above the shelves were nearly full cones of thread in colors that evoked a Pantone guide.
“If it doesn’t match by a fraction of a shade, it’s out,” she said.
One piece in particular, a shawl’s length of pink crinkle chiffon with sequined flowers, caught her eye. Each flower had at least three or four colors arranged in a different pattern. “It takes a lot of time,” Ms. Tagle said. “A designer had to communicate all of those details to the mill.”
A steady traffic of students and hobbyists came in to peruse the shelves and scour the scrap bins. Olivia Koval, who is pursuing an M.F.A. in textiles at Parsons, left the shop with a tote bag full of mutilated jeans and denim scraps. She planned to overdye and felt them together to make a larger fabric.
“For people to feel inspired by something that was headed for the trash is really important for me,” Ms. Tagle said.

Since opening six months ago, the Chelsea store has served 4,800 customers. Next year, FabScrap plans to set up operations on the West Coast.
In spite of what she has built, Ms. Schreiber is measured about FabScrap’s success. “This is such a small group of self-selecting companies, and this is a very niche part of their waste stream,” she said. “That’s what’s so frustrating.”
Credit...John Taggart for The New York Times oa here

Monday, October 7, 2019

How The Fashion Industry Is Responding To Climate Change

close up shot of patterend and jumbled clothes on hangers
The clothing industry is responsible for 8% of carbon emissions. Credit: Shutterstock
This story is part of Degrees Of Change, a series that explores the problem of climate change and how we as a planet are adapting to it. Tell us how you or your community are responding to climate change here.

Recently it seems like the whole world’s been talking about climate change. 
All week you’ve been hearing from us and our partners in the media report on climate change as part of the journalism initiative Covering Climate Now. And on Friday, students around the world are skipping school to voice their support for taking action against climate change as part of the Global Youth Climate Strike.
It seems like right now, climate change is trending.
And if there’s one industry out there that knows something about trends, it’s the fashion industry. Long known for churning out cheap garments and burning through resources, some fashion labels like fast fashion giant H&M are now embracing sustainable fashion trends. But can this industry—which is responsible for 8% of global carbon emissions—really shed its wasteful business model in favor of one with a lower carbon footprint? Marc Bain, a fashion reporter at Quartz, Maxine Bédat from the New Standard Institute, and Linda Greer, global policy fellow with the Institute of Public and Environmental Affairs talk with Ira about the industry’s effort to reduce its climate impact.
Richard from Madison: I try and buy at least half of my clothing secondhand from places like St. Vincent de Paul or Goodwill… Lara from Venice: When I buy clothing I try to make sure that it’s of a natural fiber, that it’s made locally, sometimes even fair trade or organic… David from North Carolina: One thing that I’m looking for is a few good pieces that I can wear over and over instead of hundreds of pieces in my closet… Tamara from Colorado: I consider the environmental impact of my personal clothing extremely conscientiously when I’m picking out clothes. I choose to visit thrift stores. My professional clothes, they’re work pants, they’re heavy-duty pants—I can’t factor in the environmental thoughts for that one, unfortunately.

Car and jeans emitting smoke
Designed by Andrea Corona
cartoon image of a landfill with text that says "non-biodegradeable fabric can sit in landfills for up to 200 years" and a cloudy sky in the background
Designed by Andrea Corona
27 cartoon water bottles lined up in a row with a "x100" next to it and text that says "2,700 liters of water are needed to make one cotton shirt" against a black background
Designed by Andrea Corona

Wednesday, August 28, 2019

Fashion leaders to meet at G7 summit to improve sustainability, from H&M to Gucci

 A Gucci bag, Chanel bag, Tory Burch bag outside Tory Burch on February 14, 2017 in New York City.

Fashion brands including Gucci and H&M will meet at the G7 summit this weekend in a global pact to fight the climate change crisis and improve sustainability.
The summit will see 32 fashion leaders, including Francois-Henri Pinault, the chief executive of Kering, and the owner of Zara’s parent company, Inditex, meet in Biarritz, France.
The coalition, otherwise known as “The Fashion Pact”, also includes brands such as Adidas, Burberry, Chanel, H&M, Ralph Lauren and Stella McCartney.

Representatives said its objectives draw on the Science-Based Targets (SBT1) initiative, which focuses on action in three essential areas for safeguarding the planet – stopping global warming, restoring biodiversity and protecting the oceans.
“The idea of engaging at the G7 level is also around getting the commitment at the governmental level to address these types of concerns with a sense of urgency,” Michael Beutler, director of sustainability operations at Kering, told Vogue Business last month.

The meeting comes months after French President Emmanuel Macron called on Pinault to bring together a group of brands to set unified sustainability goals for the sector.
“We have to work collectively,” Pinault told the Copenhagen Fashion Summit in May. “It’s about a few leaders who are willing to put themselves in an uncomfortable situation to force themselves to move.”
In recent months, Pinault has worked to bring together a coalition of industry leaders wanting to come together and set goals to reduce the industry’s negative impact on the environment.
“The mandate is really to move the sector,” Marie-Claire Daveu, Kering’s chief sustainability officer, added. “The G7 is a starting point.”

Kering has been a key leader when it comes to addressing the industry’s sustainability issues.
In May, the global luxury fashion company – which manages brands including Saint Laurent, Gucci and Balenciaga – published new animal welfare standards that included a list of requirements for the treatment of cattle, calves, sheep and goats throughout their entire lives, as well as guidelines for abattoirs.

In addition, it pledged to stop hiring models under the age of 18 on its catwalk and in advertising campaigns.

“We are conscious of the influence exerted on younger generations in particular by the images produced by our houses,” Pinault said at the Copenhagen summit. “We believe that we have a responsibility to put forward the best possible practices in the luxury sector and hope to create a movement that will encourage others to follow.”
The policy will come into effect early next year, in time for the autumn/winter collections.
Last month, Inditex announced a pledge to use purely sustainable fabric in its clothing by 2025 as part of a wider strategy focusing on sustainability.

The company aims for all cotton, linen and polyester used by the group to be organic, sustainable or recycled by 2025.
“Sustainability is a neverending task in which everyone here at Inditex is involved and in which we are successfully engaging all of our suppliers,” said chief executive Pablo Isla.
Moreover, the company stated that 80 per cent of the energy used in running the company (stores, logistics centres and offices) should be renewable by 2022.

As for recycling, the fashion conglomerate will supply all stores with containers to collect clothes and a pick-up service – already active in China and Spain – at home to be expanded to Paris, London and New York later this year.
The news came amid the formation of a new All Party Parliamentary Group (APPG) to analyse sustainability in the clothing and textiles industry in the UK.
With the new APPG, which is supported by sustainability charity Hubbub, MPs from all political backgrounds will come together to review supply chains, materials used, and consumer behaviours.

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